"An Artist of selective abandon" - as the New York Times called him.
You have to see this - it's huge - it's freedom on an epic scale.
There I go again with the freedom.
I first came across his work at the Turner Monet Twombly exhibition, at Tate Liverpool in 2012, and was bowled over mainly by the colour but also the size of his work. Nothing he did was small and detailed, it's all on passion - no restraints!